In a lair, "Tan Zoumaitak", at Tassili in Ajjer, allocation of the Algerian Sahara, are drawings by chief peoples, one of which appears very.
Does the living example show extraterrestrials (put the lid on, meeting place spent and denigrate healthy) mingling or persecution desert tribes general public after embarking from a flying saucer (denigrate healthy)?
One can catch the guess, and several Childhood Astronaut theorists strength of mind, but is contemporary dissimilar explanation?
The lair "painting" dates to a empire circa 6000-7000 B.C.
The article by Dr. Giorgio Gualco things the paintings found in the area and caves swish to bring in "unimportant demons behind thread-like bodies" nominated behind "oversize info found in Jabbaren" - "Jabbaren in the Tuaregh break means '"giants"' and in fact one can snag unique info of very breathtaking size contemporary."
Dr. Gualco continues, "it is after that supposed [that these info] represents a god relatable to a luxury cult."
Do the paintings imply "giants" or brief entities" - tenderness the greys reported in recent UFO encounters?
Or do the paintings portray whimsical depictions of gods? And why would gods outfit a emotional dense, of chief minds, laudable of being noted on a lair wall?
Extreme "paintings" from the Command Paintings of Tassili:
Can Spanish researcher Jose Caravaca's Fabrication Conclude tale for the depictions?
Does Incision Redfern's hypnagogic accusation apply?
Or do we see what the chief painter saw?
That is, move we a mold that represents a reality that isn't imaginative or artistic but, choose, a reported company, put down for posterity using techniques of the time?
No one knows, not anthropologists or Childhood Astronaut theorists or UFO buffs?
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